2025 was a challenging year that brought risks and losses for my group and me. I fought against the Nordic chill that affected both my soul and our group, as individuals and artists. There has grown, then, a conscious collective eagerness on our part, as a theatre ensemble, to shake off those freezing winds…
With my lead, we pooled the resources of Sur Mundo Ensemble and launched the off-centre ‘Club Bohemia‘, a performative, interdisciplinary, and intertextual miscellany event about contemporary dance crossover.
I would like to acknowledge the work of everyone who contributed directly or indirectly, from close or from far to this performance event.
My heartfelt recognition to…
the dance performance of Monica Arroyo Escribano, Damian Rosenthal, Sebastian Pereyra,
the live piano music of Juan Pablo Dobal,
the accurate set design of Marnix Alting Carpentier,
the sensitive video streaming of Zsofi Fila,
the performative poetry of Karina Miñano,
the audiovisual art of Agustín Ruíz Brussain,
the special musical recording of Barbara Varassi Pega,
and the unique music compositions of Gerardo Agnese,
the unmissable choreographic documentations of Celeste Franco,
the strong technical management of Sybran Danz,
the design and branding of Suzy Escobar,
the wonderful front cover art photos by Koos Hageraats, Dolores Luna, Berina Beric, and Agustín Ruíz Brussain..My gratitude to…
the unconditional support of the co-producer, Micaela Tettamanti TRIBU in Argentina,
the NGO Dance-Theatre Development Foundation in the Netherlands, always with me
the persevering fundraising actions by Jacqueline Gerretsen,
and the concerned programming of Podium Mozaïek, Amsterdam.
A big THANK YOU to those positive friends, and knowledge’s of Gabriela Zuarez | Sur Mundo Ensemble who have give me the strength and collaborated to make this event happen and that can expand in a near future.
After party Club Bohemia, Marnix Alting Carpentier, Sybran Danz, Monica Arroyo Escribano, Juan Pablo Dobal, Damian Rosenthal, and Zsofi Fila
